Arnold Houbraken, Rembrandt’s first major biographer, reports that according to his pupils, the master ‘could spend a day or two arranging a turban to suit his taste (Fig.2).’įig.2. They were allowed to work on the composition or the rough line work, but it was Rembrandt who added the final touch, filling in specific details like the intricate patterns of the then popular pleated collars (Fig.1). 'Portrait of Aletta Adriaensdochter' (1639) by Rembrandt van Rijn () Final Touch For instance, in the studio of Rembrandt van Rijn, his pupils/ assistants who were trained in his style, often assisted the master in the production of new paintings.įig.1. Some artists are known for their specific ability to reproduce certain details in their work.
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